Better yet, select the title layer name again, and press P. Expand Transform to see all its properties. Press P to see just the Position property. This keyboard shortcut displays only the Position property, which is the only property you want to change for this exercise.

Or use the Selection tool to drag the title to the lower left corner of the screen. To return to the Composition panel, click the Composition tab. Before you have finished typing, the Auto Contrast effect—located in the Color Correction category—appears in the panel.

Getting to Know the Workflow The contrast intensifies colors a little more than you need. Adding a stylistic effect After Effects also includes many stylistic effects. It all looks great, but how about some movement? This composition is the layered Photoshop file you imported. Two layers—Title Here and Ellipse 1—appear in the Timeline panel. The Title Here layer contains placeholder text that was created in Photoshop. At the top of the Composition panel is the Composition Navigator bar, which displays the relationship between the main composition movement and the current composition title , which is nested within the main composition.

You can nest multiple compositions within each other; the Composition Navigator bar displays the entire composition path. Arrows between the composition names indicate the direction in which information flows. If Adobe Fonts opens, activate the missing font. The layer is also selected in the Composition panel, ready for you to edit. The blue lines at the top, bottom, and sides of the Composition panel indicate title-safe and action-safe zones.

Television sets enlarge a video image and allow some portion of its outer edges to be cut off by the edge of the screen. This is known as overscan. The amount of overscan is not consistent between television sets, so you should keep important parts of a video image, such as action or titles, within margins called safe zones. Keep your text inside the inner blue guides to ensure that it is in the title-safe zone, and keep important scene elements inside the outer blue guides to ensure that they are in the action-safe zone.

Then type on the move. After Effects includes tools that enable you to modify elements of your composition. Some of these tools—the Selection tool and the Hand tool, for example—will be familiar to you if you use other Adobe applications, such as Photoshop. Others will be new. Home B. Selection C. Hand D. Zoom E. Rotation F. Camera tools G. Pan Behind H. Mask and Shape tools I. Pen tools J. Type tools K. Brush L. Clone Stamp M. Eraser N. Roto Brush and Refine Edge tools O.

Puppet tools When you hover the pointer over any button in the Tools panel, a tool tip identifies the tool and its keyboard shortcut. A small triangle in the lower right corner of the button indicates that one or more additional tools are hidden behind it.

Click and hold the button to display the hidden tools, and then select the tool you want to use. Then, in the Character panel docked on the right side of the screen , change the text size to px and the tracking to — Animating text with animation presets Now that the text is formatted, you can apply an animation preset. Then type fade up words in the search box. The words fade in, so that they are all onscreen by About timecode and duration The primary concept related to time is duration, or length.

Each footage item, layer, and composition in a project has its own duration, which is reflected in the beginning and ending times displayed in the time rulers in the Composition, Layer, and Timeline panels. The way you view and specify time in After Effects depends on the display style, or unit of measure, that you use to describe time. Note that the figures are separated by semicolons in the After Effects interface, representing drop-frame timecode which adjusts for the real-time frame rate , but this book uses a colon to represent non-drop-frame timecode.

In and Out points are the points at which a layer begins and ends in the composition. Many of the Timeline panel controls are organized in columns of related functions. Current time B. Composition name C. Timeline panel menu D. Layer switches G. Time navigator start and end brackets B. Work area start and end brackets C.

Time zoom slider D. Time ruler E. Composition marker bin F. The duration of a composition, a layer, or a footage item is represented visually in the time graph. On the time ruler, the current-time indicator marks the frame you are viewing or editing, and the frame appears in the Composition panel. The work area start and end brackets indicate the part of the composition that will be rendered for previews or final output. When you work on a composition, you may want to render only a portion of it by specifying a segment of the composition time ruler as a work area.

To move to a different time, drag the current-time indicator in the time ruler—or click the current-time field in the Timeline panel or Composition panel, type a new time, and press Enter or Return, or click OK. After Effects adds the Channel Blur effect to the layer and displays its settings in the Effect Controls panel. The Channel Blur effect individually blurs the red, green, blue, and alpha channels in a layer.

It will create an interesting look for the title. The text will be blurred as it first appears. Keyframes are used to create and control animation, effects, audio properties, and many other kinds of changes that occur over time. A keyframe marks the point in time where you specify a value, such as spatial position, opacity, or audio volume. Values between keyframes are interpolated. When you use keyframes to create a change over time, you must use at least two keyframes—one for the state at the beginning of the change, and one for the state at the end of the change.

Getting to Know the Workflow 7 Go to in the timeline. Changing the opacity of the background 1 In the Timeline panel, select the Ellipse 1 layer.

You can preview your composition using the Preview panel, which is in the stacked panels on the right side of the application window in the default workspace. E Tip: Verify that the work area brackets include all the frames you want to preview. The number of frames played depends on the amount of RAM available to the application. Often, the preview will play in real time only after After Effects has cached all the included frames. In the Layer and Footage panels, the preview plays only untrimmed footage.

Before you preview, check which frames are designated as the work area. When all of the frames in the work area are cached, the preview plays back in real time. Until all the frames are cached, the playback may be slower and the audio may drag.

You can control the amount of detail shown by changing the resolution, magnification, and preview quality of your composition. Optimizing performance in After Effects How you configure After Effects and your computer determines how quickly After Effects renders projects. Complex compositions can require a large amount of memory to render, and the rendered movies can take a large amount of disk space to store.

The rocket icon at the bottom of the Project panel is dimmed when GPU acceleration is disabled. By default, After Effects enables GPU acceleration for effects, layer animations, and other features that can take advantage of the performance enhancements. Adobe recommends enabling GPU acceleration. As you modify a workspace, After Effects saves those modifications, so the next time you open the project, the most recent version of a workspace is used.

You can save any workspace configuration, or use any of the preset workspaces that come with After Effects. These predefined workspaces are suitable for different types of workflows, such as animation or effects work. Using predefined workspaces Take a minute to explore the predefined workspaces in After Effects. Different panels open. The Info, Preview, Tracker, and Content-Aware Fill panels give you easy access to the tools and controls you need to focus on tracking objects in your compositions.

Saving a custom workspace You can save any workspace, at any time, as a custom workspace. If a project with a custom workspace is opened on a system other than the one on which it was created, After Effects looks for a workspace with a matching name. Getting to Know the Workflow Controlling the brightness of the user interface You can brighten or darken the After Effects user interface. Changing the brightness preference affects panels, windows, and dialog boxes.

If you use the default UI brightness, your panels and dialog boxes will appear darker than ours. You can click Default to restore the default brightness setting. To access them, select Learn in the Workspace bar. An overview of the interface and essential features is available in the Learn panel, as are several interactive tutorials. The Home window that appears when you open the application provides quick access to the tutorials in the Learn panel as well as more advanced tutorials online.

Additionally, it provides links to other information to help you get the most out of After Effects. You can return to the Home window at any time by clicking the Home icon in the Tools panel. For complete and up-to-date information about using After Effects panels, tools, and other application features, visit the Adobe website. To search for information in After Effects Help and support documents, as well as on other websites relevant to After Effects users, simply enter a search term in the Search Help box in the upper right corner of the application window.

You can narrow the results to view only Adobe Help and support documents. For additional resources, such as tips and techniques and the latest product information, check out the After Effects Help And Support page at helpx. Review answers 1 Most After Effects workflows include these steps: importing and organizing footage, creating compositions and arranging layers, adding effects, animating elements, previewing your work, and rendering and exporting the final composition.

An After Effects composition has both spatial and temporal time dimensions. Compositions include one or more layers—video, audio, still images—arranged in the Composition panel and in the Timeline panel. Or type Missing Footage into the Search field in the Project panel.

After Effects allocates enough RAM to play the preview with audio as fast as the system allows, up to the frame rate of the composition. You can drag panels to new locations, move panels into or out of groups, place panels alongside each other, stack panels, and undock a panel so that it floats above the application window.

As you rearrange panels, the other panels resize automatically to fit the application window. You can use them to create great-looking animations quickly and easily. You will animate the travel show ID so that it fades to become a watermark that can appear in the lower right corner of the screen during other TV programs.

After Effects opens to display a blank, untitled project. However, you can also use Adobe Bridge—a powerful, flexible tool for organizing, browsing, and locating the assets you need to create content for print, web, television, DVD, film, and mobile devices.

You can drag assets into your layouts, projects, and compositions as needed; preview your assets; and even add metadata file information to assets to make files easier to locate. Adobe Bridge is not automatically installed with After Effects. If you receive a message about enabling an extension to Adobe Bridge, click Yes. Adobe Bridge opens, displaying a collection of panels, menus, and buttons. Click the arrows to open nested folders.

You can also double-click folder thumbnail icons in the Content panel. Information about the file, including its creation date, bit depth, and file size, appears in the Metadata panel. Alternatively, you can drag the ParisRiver. Creating a Basic Animation Using Effects and Presets Creating a new composition Following the workflow you learned in Lesson 1, the next step is to create a new composition. This preset automatically sets the width, height, pixel aspect ratio, and frame rate for the composition to NTSC standards.

This folder contains the three individual layers of the Illustrator file. Click the triangle to open the folder and see its contents if you like. You should now see both the background image and the logo in the Composition panel and in the Timeline panel. The composition opens in its own Timeline and Composition panels. After Effects applies it to the text you typed. Leave all other options in the Character panel at their defaults.

You may need to expand the width of the panel to see the eyedropper. The guide moves to the position you specified. The effect you create next will be applied only to the logo elements, not to the background image of the river.

You can customize the effect using the Effect Controls panel, which appears in front of the Project panel when you apply an effect. You can set each value by clicking the field and typing the number or by dragging the blue value. By default, when you apply an effect to a layer, the effect is active for the duration of the layer. However, you can make an effect start and stop at specific times, or make the effect more or less intense over time.

Note, however, that when you apply an effect to an adjustment layer, the effect is applied to all layers below it in the Timeline panel. Effects can also be saved, browsed, and applied as animation presets.

Then click the triangle next to Stylize to expand the category. The Color Emboss effect sharpens the edges of objects in the layer without suppressing the original colors. The text appears, letter by letter, until the words Travel Europe are fully onscreen at Precomposing is a way to nest layers within a composition.

Precomposing moves the layers to a new composition, which takes the place of the selected layers. When you want to change the order in which layer components are rendered, precomposing is a quick way to create intermediate levels of nesting in an existing hierarchy.

Then click OK. This new, precomposed layer contains the three layers that you selected in step 1. E Tip: To locate the The Dissolve — Vapor animation preset includes three components—a master dissolve, a box blur, and a solid composite, all of which appear in the Effect Controls panel. The default settings are fine for this project. Press the spacebar to stop playback at any time.

Adding transparency Many TV stations display logos semitransparently in the corner of the frame to emphasize the brand. Click the stopwatch icon to set an Opacity keyframe at this point in time. After Effects adds a keyframe. When you place your composition in the Render Queue, it becomes a render item that uses the render settings assigned to it.

The Render Queue panel opens automatically. By default, After Effects uses lossless compression to encode the rendered composition into a movie file, which is fine for this project. But you need to identify where to save the file. After Effects displays a progress bar in the Render Queue panel as it encodes the file, and issues an audio alert when all items in the Render Queue have been rendered and encoded.

In Bridge, you can search for and preview image assets. When you locate the asset you want to use in an After Effects project, double-click it or drag it to the Project panel. This lesson will take about two hours to complete. You can animate text layers by manually creating keyframes in the Timeline panel, using animation presets, or using expressions. You can even animate individual characters or words in a text layer. As you start the application, restore the default settings for After Effects.

This makes After Effects an incredibly powerful application for compositing and motion graphics work. About text layers In After Effects, you can add text with flexibility and precision.

The Tools, Character, and Paragraph panels contain a wide range of text controls. You can create and edit horizontal or vertical text directly on the screen in the Composition panel, and quickly change the font, style, size, and color of the text.

You can apply changes to individual characters and set formatting options for entire paragraphs, including alignment, justification, and word-wrapping. In addition to all of these style features, After Effects provides tools for easily animating specific characters and properties, such as text opacity and hue.

After Effects uses two types of text: point text and paragraph text. Use point text to enter a single word or line of characters; use paragraph text to enter and format text as one or more paragraphs. In many ways, text layers are just like any other layers in After Effects. You can apply effects and expressions to text layers, animate them, designate them as 3D layers, and edit the 3D text while viewing from multiple angles.

As with layers imported from Illustrator, text layers are continuously rasterized, so when you scale the layer or resize the text, it retains crisp, resolution-independent edges. The two main differences between text layers and other layers are that you cannot open a text layer in its own Layer panel and you can animate the text in a text layer using special textanimator properties and selectors.

After Effects opens the Adobe Fonts page in your default browser. Animating Text 3 Type Snorkel Tours in the sample text field, and move the slider to decrease the sample text size so you can see the full title. Using your own text as the sample text lets you get a feel for how a font will work in your project. Then, on the left side of the page, select Sans Serif in the Classification area. In the Properties area, select the buttons for medium weight, medium width, medium x-height, low contrast, and standard capitalization.

Calluna Sans, which is probably on the second page, will work nicely. Adobe Fonts displays sample text for all the fonts in the selected family as well as additional information about the font. The text you enter appears in a new text layer. The small line through the I-beam marks the position of the text baseline. Then exit text-editing mode by pressing Enter on the numeric keypad or selecting the layer name in the Timeline panel.

The text layer is selected in the Composition panel. Using the Character panel After Effects displays sample text for each font. If text is highlighted, changes you make in the Character panel affect only the highlighted text.

If no text is highlighted and no text layers are selected, changes you make in the Character panel become the defaults for the next text entry.

If a type layer is selected, the text in the Composition panel is formatted with the newly selected font. For point text, each line is a separate paragraph. You can use the Paragraph panel to set formatting options for a single paragraph, multiple paragraphs, or all paragraphs in a text layer. This aligns horizontal text to the center of the layer, not to the center of the composition. This scales the layer to fit to the width of the composition.

Press Shift after you start dragging to constrain the movement and help you position the text. After Effects adds a new Scale keyframe at the current time. Although the composition is 13 seconds long, you need to preview only the first five seconds, since that is where the text animation occurs.

The scale animation ends shortly before The movie title scales to a smaller size. In nature, nothing comes to an absolute stop. Instead, objects ease into and out of starting and stopping points. The keyframe becomes a leftpointing icon. The keyframe becomes a rightpointing icon.

Using a text animation preset Currently, the title appears when the video begins. The easiest way to do that is to use one of the many animation presets that come with After Effects. After applying an animation preset, you can customize it and save it to use again in other projects. After Effects applies animation presets from the current time. Adobe Bridge opens, displaying the contents of the After Effects Presets folder.

To help you choose the right animation preset for your projects, you can preview presets in Adobe Bridge. For more information, see page 2. Adobe Bridge plays a sample of the animation in the Preview panel. After Effects applies the preset to the selected layer, which is the Snorkel Tours layer, but the layer no longer appears in the composition. Customizing an animation preset After you apply an animation preset to a layer, all of its properties and keyframes are listed in the Timeline panel.

Press the spacebar again to stop the preview. Animating Text The letters appear to ripple into the background. The Randomize Order property changes the order in which letters appear on the screen as they ripple into place. But in the real world, you may need to ensure brand and style consistency among multiple projects.

Fortunately, you can import text from Photoshop or Illustrator. You can preserve text layers, edit them, and animate them in After Effects. The imported file is added as a composition to the Project panel; its layers are added in a separate folder. Click OK if you see a warning about missing fonts. Now the text layer can be edited, so you can customize the tour location. Leave all other settings as they are. This is because the original layer name was created in Photoshop. The easiest way to do this is to use another text animation preset.

At that point, the title has finished scaling to its final size. This effect works well to reveal the text gradually. Characters In preset changes the color of the text, which is fine for this project. You should see two keyframes for Range Selector 1 Offset: one at and one at Press it once to see the animated properties; press it twice to view all modified properties.

Drag the current-time indicator across the time ruler from to to see the letters fall into place. Then save your work so far. By animating tracking, you can make words seem to expand outward as they appear onscreen from a central point. In the Paragraph panel, make sure Center Text is selected.

The animation should also occur more quickly. The letters expand, and stop animating at the last keyframe. Then click the stopwatch icon to set an Opacity keyframe. After Effects adds a second keyframe. Now the letters of the company name will fade in as they expand onscreen. The logo is centered on the screen, but you want it to enter from the left and move down to replace Blue Crab Charters.

Then click the stopwatch next to each property to create initial keyframes. After Effects creates keyframes for the properties. The logo moves into position, but you want it to swoop in, rather than moving in a straight line. Animating Text 11 Go to , and press the spacebar to preview the animation. Press the spacebar again to stop the preview, and then hide the layer properties.

Applying an animation preset The logo swoops in. Using a text animator group Text animator groups let you animate individual letters within a block of text in a layer. Then press Enter or Return again to accept the new name. Animating Text Each animator group includes a default range selector. Range selectors constrain the animation to particular letters in the text layer.

You can add additional selectors to an animator group, or apply multiple animator properties to the same range selector. Now, any properties that you animate with the Skew Animator will affect only the characters that you selected. About text animator groups A text animator group includes one or more selectors and one or more animator properties. A selector is like a mask—it specifies which characters or section of a text layer you want an animator property to affect.

Using a selector, you can define a percentage of the text, specific characters in the text, or a specific range of text. Using a combination of animator properties and selectors, you can create complex text animations that would otherwise require painstaking keyframing.

Most text animations require you to animate only the selector values, not the property values. Consequently, text animators use a small number of keyframes even for complex animations.

The other words in the line of text remain steady. After Effects adds another keyframe. Animating Text 7 Click the Skew property name to select all of the Skew keyframes.

To remove only one animator, select its name in the Timeline panel, and press Delete. For a simpler effect, you can animate the Transform properties for a text layer, just as you can any other layer. Set the Font Size to 48 px.

Leave all other options at their default settings. Click the stopwatch icon to create an initial keyframe for the layer. Press the Shift key as you drag to create a straight path. The text moves in from the right side and stops in its final position beside the logo.

Adding motion blur Motion blur is the blur that occurs as an object moves. After Effects automatically enables motion blur for the composition when you enable it for any layer. You just completed some hard-core text animations. Animating Text Review questions 1 What are some similarities and differences between text layers and other types of layers in After Effects?

Review answers 1 In many ways, a text layer is just like any other layer in After Effects. You can apply effects and expressions to text layers, animate them, designate them as 3D layers, and edit 3D text while viewing it in multiple views. Text layers consist entirely of vector graphics, so when you scale the layer or resize the text, it retains crisp, resolution-independent edges.

You can animate the text in a text layer using special text animator properties and selectors. Adobe Bridge opens and displays the contents of the After Effects Presets folder. Navigate to folders containing categories of text animation presets, such as Blurs or Paths, and watch samples in the Preview panel. Text animator groups contain one or more selectors, which are like masks: They let you specify which characters or section of a text layer you want an animator property to affect.

You can animate shapes, apply animation presets, and connect them to other shapes to intensify their impact. You can customize and transform an individual shape or its entire layer to create interesting results. In this lesson, you will use shape layers to create a whimsical animation.

As you start After Effects, restore the default application settings. In the scene, night turns to day as the sky lightens and the colors brighten. Press the spacebar again to stop playback. When you draw a shape directly in the Composition panel, After Effects adds a new shape layer to the composition. You can apply stroke and fill settings to a shape, modify its path, and apply animation presets.

Shape attributes are all represented in the Timeline panel, and you can animate each setting over time. The same drawing tools can create both shapes and masks.

Masks are applied to layers to hide or reveal areas or as input into effects; shapes have their own layers. When you select a drawing tool, you can specify whether the tool draws a shape or a mask. If you draw a shape when no layer is selected, After Effects creates a shape layer. The shape appears in the Composition panel, and After Effects adds a shape layer named Shape Layer 1 to the Timeline panel. Working with Shape Layers Applying a fill and stroke You can change the color of a shape by modifying its Fill settings in the Tools panel.

Clicking the word Fill opens the Fill Options dialog box, where you can select the kind of fill, its blending mode, and its opacity. Similarly, you can change the color and width of the stroke of a shape by modifying its Stroke settings in the Tools panel. Click the word Stroke to open the Stroke Options dialog box; click the Stroke Color box to select a color.

Because the operation is selfanimating, you need to change only a few properties for the entire shape to move on its own. Then change the Size to 2. When you enable Motion Blur for a layer, After Effects enables it for the composition. Working with Shape Layers 7 Press the Home key or move the current-time indicator to the beginning of the time ruler. Duplicating a shape The sky should have more than one star, and they should all shimmer.

After Effects adds a Star 2 layer at the top of the layer stack. It is identical to the Star 1 layer, including its position. Then adjust the Rotation and Scale properties for each layer to create variation among the stars. Working with Shape Layers 9 Press the spacebar to preview the animation. The stars twinkle and fade as night turns to day. Press the spacebar again to stop the playback.

Then select the Star 1 layer and Shift-select the Star 7 layer to select all the star layers again. You can continue to edit the star layers by opening the Starscape composition, but precomposing the layers keeps the Timeline panel organized.

Creating custom shapes You can use the five shape tools to create a wide variety of shapes. However, the real power in using shape layers is that you can draw any shape and manipulate it in a myriad of ways. Click again in the initial vertex to close the shape. When you create the first vertex, After Effects automatically adds a shape layer— Shape Layer 1—to the Timeline panel.

Press Enter or Return to accept the new name. Select the None option, and then click OK. Working with Shape Layers 8 Click the stopwatch next to the Color property to create an initial keyframe. Press F2 or click an empty area in the Timeline panel to deselect all layers. Draw the shape a little bit above the base of the pot. Also, a layer must be visible to snap to it.

The flowerpot layers currently have no relationship to each other in the composition. When the Snapping option is enabled, the layer feature that is closest to your pointer when you click becomes the snapping feature. We use this information to complete transactions, fulfill orders, communicate with individuals placing orders or visiting the online store, and for related purposes.

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Adobe Photoshop Classroom in a Book ( release) | Adobe Press.How to Get Your Lesson Files – Adobe® After Effects® CC Classroom in a Book® [Book]

 
?q=&sa=U&ved=2ahUKEwjqkOvAjubYAhWLNY8KHZSWDV4QFj. Adobe After Effects CC ( release) Classroom in a Book®, the best-selling series of hands-on software training workbooks, offers what no other book or training program does—an official training series from Adobe Systems Incorporated, developed with the support of Adobe product experts. Version CategoriesAE Project, AfterEffects, e-Book, pdf Download Size1, MB Create Date9 August, Last Updated9 August, FileActionAdobe after effects _ – Classroom in a book – release ().zip Download Download About My Live Online Training & In Classroom Training. I am a professional trainer of Final Cut Pro X. I regularly teach classes [ ].

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Please contact us if you have questions or concerns about the Privacy Notice or any objection to any revisions. Increasing the number of triangles results in a smoother animation, but also increases rendering time. Select the text. We will identify the effective date of the revision in the posting. The changes you made are automatically reflected in your After Effects project. View in-store map.